the art on my walls

"Incomplete": this was my first piece in my jigsaw series, and it's one which has continued to evolve as a concept. I first conceived it simply as a puzzle with a missing piece, but when I came to make it I decided to add a piece that didn't fit (to hammer my message home - subtlety sometimes eludes me). Looking at it over the years I sometimes thought that it represented me as an incomplete puzzle that would never be solved. At other times, I saw myself as the little red piece that didn't fit into wider society. Recently, I've begun to see a figure walking along with a tiny red body and an enormous round head, with eyes downcast. Whatever the message, this piece has special significance for me.

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"Crowd": this one came to me when I was happily partnered - notice how it's much more cheery? It has a patchwork look and can be a little mesmerising to look at. When I made it, though, I thought the message of the piece was one of confusion and being lost in a crowd. There's a single piece lost in the crowd that isn't immediately apparent.

It was while making this jigsaw that I came to see pieces shaped this way as a "little man". This one became my representative in this piece - little Greg lost and overlooked in a big joyful crowd, but shining out, occasionally, if the light caught the artwork from the right angle.

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My next piece went wrong (I don't recall my intention), but I salvaged enough of it to make this. In this one there is someone else out there for me, which might seem more hopeful, but my feeling is that we are held apart and cannot ever come together. Can you tell that my relationship was over by now?

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Now we come to my more recent work. This one was conceived as a response to "Crowd", and faces it on the opposite wall of my kitchen. I'm calling it "Mod" for now, because the black and white chequered look makes me think of the Mods on their scooters, and also because I think this looks a little like a Bridget Riley and therefore is my "modern art" piece.

I've picked out the same little man as in "Crowd", in order to send the viewer back to the earlier work to spot him. Of course, it also conveys the same idea of "not fitting in".

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I was also looking to make a companion piece to "Incomplete" and couldn't come up with a concept until a friend suggested a complete version. I resisted the idea for a long time, thinking that it didn't feel like that would represent my inner state. I had this jigsaw on my dining table for months while I dithered over different ideas, but I slowly came to terms with this simple design. I've decided to acknowledge the Japanese influence to my work here and call this one "Zen". I really like it - it has a meditative quality and I often stop by it on my landing and just stare into the black pool of this piece.

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Finally, for now, comes my most recent work. I can't think of a more fitting name than "Despair" for this one at the moment, but that might evolve as I come to terms with it. Most of the time I enjoy my solitude, but I can't pretend it doesn't feel like this sometimes. In this piece there is no-one out there for me - I'm all alone in the dark.

(but I'm still golden)

kick ass

I had the bath running and I was kneeling on the end of my bed, leaning over my laptop, sunk in Facebook. As we all know, time dilates on the internet and I kept meaning to check on the bath. Eventually, I heard something that sounded ominously like water hitting the floor. It was at this point that I realised that I'd been kneeling too long and I had no sensation in my feet. They were more than numb, my ankles were floppy. I urgently needed to get to the bathroom but I couldn't balance, never mind walk or run (like I needed to right now).

And so I crawled whimpering down the hallway, pulled myself grimly across the hot puddle, shut off the water and lay there hanging from the tap, panting.

Who needs action movies when you can experience terror, panic and pain in your own home?

wish list: (1) Calanque d'En Vau, near Cassis, Provence

I would want it all to myself, of course.

some days I just feel like bacon

my favourite places in the world: (1) Vernazza

post-human

A group of us, post-40 and bearded, stand in the dark yard to the side of the pub.

On the other side of a waist-high fence, a long queue has formed for a popular gay disco night next door. Everyone in the queue is oh-so-carefully coiffed and styled just-so. They look elfin and delicate and no-one is over 22.

Not for the first time I think of H.G.Wells' "Time Machine". Here before me are the Eloi.

And I have become a Morlock.

Bugger.

death wish

I've always wanted to live a VERY long life, preferably long enough to see out the end of this Solar System, to travel the galaxy in my own spaceship, to never stop learning and making connections.

I'd still be pissed-off if you told me for certain I wasn't going to get this wish.

I'm such a material boy, though...

Seeing this new concept gravestone from Ivanka, a Hungarian design couple, has helped me come to terms with my death. In fact, I'm now going to be pissed-off that I won't get to see my VERY cool grave slowly weather and gather moss.

Hmm... suddenly that shallow water seems a very apt memorial for me.

beyond deep throat to peristalsis

A man can dream, can't he?

reading the city

After some years away, work brought me back to the city.

For all my mixed emotions on returning, my eyes gorged themselves on the cityscape.

I realised that I was like one re-reading a favourite novel, scanning familiar pages for landmarks recalled, and celebrating at once both my recall and the city's persistence. My eyes were frantic for detail. I couldn't open them wide enough.

Every street was a page indented by paragraphed turnings into side-streets. Parades of shops like stanzas in poetry.

The city was a vast Victorian novel with a cast of individually realised architectural characters all interconnected, the story arcs and plot twists mapped by these roads and junctions. Looking along just one street I could read the melodrama of the ten years I had been away: the relative fortunes of shops I remembered, the small grief where a business had disappeared, the fading of once upstart new architecture into a slightly shabby middle-age, the shock slide of some buildings into a neglected architectural dementia.

The city I loved had continued without me. It was naturally, and rightfully, oblivious to me. Others had far more claim to ownership. And yet... and yet I carried within me my personal version of this town, my own narrative of these streets.

faith = hope + trust

"Hope" and "Trust", by definition, depend on the real likelihood of being let down, of there being no basis for either.

The meaning of these words imply the possibility that the hoped-for or trusted-in may not be the case.

These are compromised words, compromised states.

As a society we elevate them to the highest echelon of honour - to hope or to trust is to exhibit the noblest behaviour.

We venerate fallibility. We celebrate the attempt that could fail.

What does that say about us?